Cape worn by Elizabeth Taylor in 1963’s Cleopatra, designed by Irene Sharaff.
Panels of gold painted leather adorned with hand stitched gold bugle beads, seed beads and bead anchored sequins.
(Source: une-quaintrelle, via deeplycreepy)
some guy just called my number thinking i was a male prostitute, and he started talking to me about how much he could pay me so i pulled up gunshot noises on my computer and started screaming and he panicked and hung up
911 jUST FFUCKING CALLLLED ME IA AMC LAUGHHING SO HARD I TOLD THEM THE SITUEATION AND I’M STULL FUCMKING LAUGHING BECUASE NO W HTE’YRE TRACING THE GUY TO ARREST HIM FOR TRYING TO SOLICITEA ND PAY FOR SEX
I’VE DONE A GOOD
(via deeplycreepy)
I think the main difference between a hero and a heroine in traditional narratives is that a hero’s strength is defined by how much he can win, while a heroine’s is defined by how much loss she can endure.
I think that’s kinda fucked up.
I have noticed this trend as well. I’ve heard a LOT of writers talking about how you have to break women down, hurt them, and humiliate them in order for the audience to find them sympathetic heroes, in ways that are not applied, at least not in the same quantity, to male characters.
(via fireblooms)
you’re the window to my wall
you’re the sweat that drips down my balls
(via shall0wbay)
"Women are afraid of meeting a serial killer. Men are afraid of meeting someone fat."
—
When Strangers Click, a 2011 documentary about online dating.
It reminds me of that famous Margaret Atwood quote: “Men are afraid that women will laugh at them. Women are afraid that men will kill them.” It also reminds me of something written by one of the mods of Sex Worker Problems: “Misandry irritates. Misogyny kills.”
I mean, it’s just true.
(via tealeafprincess)
“Misandry irritates. Misogyny kills.”
That’s it. That’s it right there.
(via oddpicturesoddpeople)
(via fireblooms)
(Source: i-am-mayamoo, via shall0wbay)
Supernatural, The Vampire Diaries, The Legend of 
